George Tjungurrayi
Also known as Hairbrush
George "Hairbrush" Tjungurrayi
Also known as Hairbrush
Born: c. 1947
State: WA,NT
Region: Kiwirrkura, Lake Mackay, Western Desert
Community: Kintore
Outstation: Karkun, WalaWala, Kilpiny
Language: Pintupi
Social Affiliation: Tjungurrayi subsection
Subjects: Tingari, Kuniya at Karrilwarra
Collections:
National Gallery of Australia.
National Gallery of Victoria.
Art Gallery of New South Wales.
Art Gallery of South Australia.
Supreme Court of the Northern Territory, Darwin, N.T.
Musee des Arts d'Afrique et d'Oceanie.
Artbank.
Groninger Museum, The Netherlands.
Araluen Art Centre, Alice Springs, Northern Territory, Australia.
Exhibitions:
Solo Exhibitions:
1997 Utopia Art Sydney, New South Wales, Australia.
1998 Gallery Gabrielle Pizzi, Melbourne, Victoria, Australia.
2002 Utopia Art Sydney, New South Wales, Australia.
2003 'Paintings from Mamultjulkulnga and Kirrimalunya',
Gallery Gabrielle Pizzi, Melbourne, Victoria, Australia.
Group Exhibitions:
2005 - Papunya Tula Artists, Gallery Gabrielle Pizzi, Melbourne;
Decouvrir, Rever, Investir, Australian Embassy, Paris, France;
Papunya Tula Artists - new work for a new space, Utopia Art Sydney.
2002 - MERIDIAN: Focus on Contemporary Australian Art, Museum of
Contemporary Art, Sydney.
1991/92, Friendly Country, Friendly People, Touring Exhibition,
through Araluen Centre, Alice Springs.
Select Bibliography:
Johnson, V., 1994, The Dictionary of Western Desert Artists,
Craftsman House, East Roseville, New South Wales. (C)
Note: Named in the 2003 "50 Most Collectable Artist" Australian
Art Collector magazine.
© Discovery Media, Documentation Pty Ltd, and the Australian
Institute of Aboriginal and Torres Strait Islander Studies
Notes:
George "hairbrush" Tjungurrayi was born c.1947 near Kiwirrkurra in the
Gibson Desert, Western Australia. George commenced painting in Papunya
about 1976 for Papunya Tula Artists. His older brother Willy Tjungurrayi
is also a well known Pintupi artist. George is considered one of the
most respected senior artists from the Western Desert. George's paintings
most often represent specific sacred sites located in his ancestral
country associated with Tingari Ancestors which were created throughout
the "tjukurrpa" or dreamtime.
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